Claire is a thirtysomething neonatal nurse who is becoming increasingly discouraged about her prospects of getting into a long-term relationship and starting a family. She thinks she may have finally met her man in Franck—if not a Prince Charming then at least a friendly and compatible person—but societal pressures and gender norms seem to rear their heads at every turn and Claire begins to wonder if it will ever be possible for her to be happy with another person on her own terms.
Aude Picault’s chronicle of everyday romance is full of wit and sympathy but it is also backed up by a bibliography of feminist essays and studies of gender relations, offering a valuable and complicated case study of the challenges facing modern women.
“Limited Edition is a beautiful, visually delightful, funny – yet serious – take on the sort of pressures faced by the average contemporary Western woman. As such, while its subject matter might traditionally attract more female readers than male, I would hope that it can be enjoyed and appreciated by both sexes, and help Picault to gain the wider English-speaking readership she so richly deserves.” Gareth Southwell
This is the fifth and penultimate volume of one of the most ambitious comic book spy series of all time. Over 30 years and 5 continents, CIA agent Floyd Whitman plunges right to the deepest depths of American politics through his counter-intuitive alliance with the Russian mafia. Constructed with the precision of clockwork mechanics, Desberg’s Machiavellian script is wonderfully complemented by Labiano’s tense and elegant artwork.
A man – filthy, stinking, alone and obese – is taken in by the police. We don’t yet know what he’s done, or why he’s there. But he’s going to tell us his story. The story of a man who strives to live by his own rules, free from the bounds of socially imposed morality and norms, an ambition inspired by one blinding, ecstatic, vivid moment of ultilmate perfection in life and existence – The Blast. He makes the only choice possible for him after such an experience: he leaves everything behind and sets off to live, really live, in the wild, on his own. This first volume is a homage to the acute beauty of nature, solitude and feeling alive. And to the pain and brutality necessary for this man to find his way to another, purer, more complete level of existence. But is the mysterious ‘Blast’ really what it seems? And so the interrogation begins.
”Polza’s story has many unusual twists, absurdities and horrors to go through before we get any closer to understanding the nature of the Blast, and Larcenet’s pacing and visual depictions of the journey make that a compellingly dark and intriguing story.”The Digital Fix
Glorim Cortis and his pioneer squadron have finally reached the New World, and it’s not long before they begin to run into obstacles beyond their wildest imaginings. Not only are they tested by external challenges, but also by the increasing discord and frustration within their ranks. Will their quest ever come to an end?
After a botched robbery that claimed the life of his lover, an American outlaw crosses the border into Canada. As he’s already left nearly a dozen dead bodies behind, Sergeant Trent is sent to intercept him. But instead of the expected bloodthirsty murderer, it’s a sensitive young man that the Mountie finds, a free spirit with a deep love of French poetry. How is Trent going to reconcile doing his duty with his nascent liking for the kid?
In 1933, folklorist John Lomax and his eighteen-year-old son, Alan, embarked on a tour of the American South with a modest budget and a lofty aim: to preserve America’s folk heritage. Together, they visited churches, plantations and penitentiaries under the auspices of the Library of Congress, seeking out and recording the very best folk songs, gospel, and blues. Among their discoveries were the Delta bluesman Son House and the jailed singer Huddie Ledbetter, better known as Lead Belly. On this, their most ambitious musicological expedition, John and Alan Lomax saved for posterity thousands of songs that might otherwise have vanished without a trace. More than that, they amassed an archive of recordings that would shape the blues-driven rock ’n’ roll of the 1960s and beyond. As George Harrison once remarked, “No Lead Belly, no Beatles.”
The shipyard shuts down, Marco becomes a father, his mother learns how to live alone, a man dies in the countryside, and a journalist flies off the handle. Through the little things, marked moments and commonplace sadness, Manu Larcenet concludes his portrait of an ordinary man, and the imperfections that we’re all familiar with. Thus ends one of the greatest successes of contemporary European comics.
Marco’s left town for the countryside. He’s left his psychologist because he feels he’s doing better. He’s quit his job as a reporter because he’s had enough of photographing corpses. He gets himself a little cottage in the heart of rural France, where he lives with his cat, Adolf. He throws out all his work, and cuts ties with his employer. That night, he has his first panic attack.
It’s not long before he meets the lovely Emilie, and also the wise and good-natured old man who lives in the cottage just across the way… but who, it turns out, isn’t exactly what he seems…
It all starts in a school playground, and then it moves to a classroom, where Larcenet’s superb graphic camera zooms in on two ten-year-old kids: Gildas and Martina. The pair of them are ever so slightly obsessed with Sci-fi. To the extent they think they’re surrounded by robots and aliens. As far as they’re concerned, their entire world is made up of false appearances, and they’re soon to be the victims of a huge intergalactic plot! You read, you smile, you snigger. But then suddenly, it’s all turned on its head…
”Cosmonauts of the Future is a fun and surprising book that deserves a look if you want something in the sci-fi arena that’s a little more humorous.”Pipeline Comics
