The daring and secretive Stephanie St. Clair, known as Queenie, rules Harlem thanks to the underground lottery of which she is the mastermind. A lottery that offers hope of a better life to the community of this poor, socially ostracized neighborhood.
Both female and black, Queenie annoys not just the police, but also Dutch Schultz. This white mafioso does everything in his power to take over the Queen of Harlem’s flourishing business.
This is it! The long-awaited moment has arrived: the serpent-dragon has awakened!
And it was Menji who, with the help of his friends, managed to get his hands on this strange creature who thinks he’s his mother. But Menji is not out of the woods yet: the slimy emperor Raâna IV is determined to recover the dragon and use its powers to establish his domination over the archipelago.
Chief Arnulf and his Viking “army” continue their raid into the cold and icy lands in search of booty, but to no avail! The last chance before their return is a small village called Troulabbé, inhabited by Christians who intend to resist them….
While a carnival is in full swing, Elizabeth tries to acquire superpowers by taking on the (big) Little Mouse (the one with the baby teeth), while Diego does everything he can not to be part of the little gang of Bizardos, friends who want to compete for the best group photo at the end of the carnival. Between two silly antics and three disasters, our two heroes learn the superpowers of truth and friendship.
Teresa absolutely adores her little sister Matilda and must help her escape from the castle where her own family tends to sacrifice her to the ancient god of the hunt. But when Matilda escapes in the middle of the night, she is tricked by a mysterious blue bird and drowns in a lake in the forest. The bird then
nhabits Matilda’s body so she must return to the castle to fulfill her destiny.
A tense story about female emancipation that denounces women’s oppression, mixing horror and mystery with plenty of humor, and illuminated throughout by the careful artwork of Borja Gonzales.
In a parallel universe, France’s greatest writers are all children who must learn their craft at the School of Literature.
They are each enrolled in a class corresponding to the century in which they lived. In the 19th-century class, new boy Victor Hugo is about to meet his classmates — Baudelaire, Balzac, Flaubert, Maupassant, and Zola. What are they taught? Do they learn Harry Potter-style spells? What do they do in their free time? Who will be bottom of the class and who will get to move up to the 20th century? One of the Mâtin series’ most popular titles!
“One Kilometer, Four Seasons” examines how I evolved from a little kid who liked drawing to an author and militant media illustrator. My questions are essential, and my answers personal: Why I draw? Why I turn to humor? Why I write? The first year of the Covid pandemic was fertile breeding ground for the kind of introspective reflecting I wanted to do on the past. The lockdown and resulting kilometer-long walks that were allowed during that time provided the setting for this story. As Jerusalem’s four seasons came and went, my memories — both close and distant — met in the natural environment of my neighborhood.
Early 80s in China, Kushi lives in a small remote village in Inner Mongolia in harmony with the steppe and its beautiful generous expanses, but with a fragile balance. Kushi is an orphan. Appearing mysteriously in the village when she was just a baby, she is considered the black sheep of her community. She was brought up by an old shaman, and she annoys and arouses the mistrust of the villagers who treat her as a little witch. When she discovers the actions of Bold, a local bandit, a merciless struggle begins between the young girl, this lawless crook and the supporters of a certain idea of progress.