Lucien has settled into his role as the new parish priest of Saint-Claude.
His little business is flourishing and the cassock brings him many benefits in kind. But his past is starting to catch up with him…
Gendarmes, gypsies, gangsters and parishioners are all after him, and the final encounter promises to be explosive!
The year is 2122, Spain.
Azabache is an ex-convict turned copla singer (when she’s not acting like an air girl). Despite herself, she finds herself on the trail of a serial killer.
The murders are just the tip of the iceberg in a conspiracy that goes beyond the young woman’s own nightmares.
Azabache will discover the truth by delving into the victims’ psyches and her own past!
After the shock of discovering the Ancient City, Mycène and Roch settle in to continue their exploration.
While Mycène scours the neighborhoods one by one, Roch continues his translation of ancient texts and his search for the antidote to the Shadows. Roch, eager to join Mycène in the field to help her find clues to their quest, decides to go with her into the buildings near the city’s high wall… Behind the impenetrable wall lurk coffins and golem! The two protagonists follow one macabre revelation after another around this ancestral evil…
DISCOVER THE HISTORY OF THIS MUSICAL MOVEMENT THAT’S MAKING A SPLASH!
At the end of the seventies, in the pubs and backrooms of the Anglo-Saxon world, a provocative and rebellious music never heard before was breaking through the conformism of the time, blasting propriety and good taste. Punk rock had arrived – and no one would leave alive!
Today, more than a sound and an energy remain from this tsunami: a radical way of living and thinking that continues to seduce free spirits.
In images and words, let’s rediscover the fascinating story of this musical revolution, as memorable as it was dazzling.
What do you get with this special edition?
– Alternative cover
– Signed and recolored edition in Black and Yellow
– The second RIP omnibus, collecting volumes 4, 5 and 6.
It’s me again, the Dédé, and I’m off to introduce you to the three honeys in volume 2.
There’s little Albert, who wouldn’t hurt a fly, as long as he found a soul mate. The pretty barmaid is Fanette. She counts the flies in this dingy bar, where she feels uncomfortable in other people’s skin. And finally, there’s Eugène, the tough guy who takes the flies for nothing, but fortunately, all good things must come to an end.
Here, in RIP, nothing is all black and white, and there’s nothing to laugh about… or yellow, perhaps!
1874. United States of America, Washington. May Dodd is forcibly incarcerated by her family in an institute specializing in mental deficiencies and psychological disorders.
Her crime: living with a common-law man, against the advice of her father and his powerful family.
To escape her torment and the muted violence of a confinement that is slowly killing her, May agrees to take part in a government program that involves exchanging a thousand white women for a thousand horses to help integrate the descendants of the Cheyenne nation into American society.
The women who volunteer will leave the institute and embark on a journey to the farthest reaches of the so-called “civilized” world, with the aim of founding a home and giving their new husbands at least one child.
Once free again, May begins her story by recording her thoughts and states of mind in a notebook, a powerful record of the stages of her human, intellectual and sensory journey among the Cheyenne nation, proud, brave and, above all, human.
In the 1990s, the Soviet Union had collapsed. Russia, thrown to the mercy of unbridled capitalism, was in full decay. In this lawless world, people scrape by as best they can, cash in on what they can find, and destinies are forged by swindling and betrayal.
In this third and final volume, Lavrine has become a rich man, but a lonely one. For Slava, his lifelong friend, has stayed with Nina. Worker by day, painter by night, Slava helps Nina keep the mine they saved from the greed of the oligarchs afloat. But in the vast mess that is the Russian economy, it’s not that simple. Especially if you’re more of an artist than a miner, grew up under Communist precepts and know nothing about the market economy.
